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Course overview
Reading
Requirements
Grading
Calendar

What Will Suffice: American 20th Century Literature

Monday and Wednesday , 10:00 - 11:30, Somewhere

John Sheehy

Office Hours

Course description

This course will pick up, roughly, where Apocalyptic Hope left off last year:  out of the American Renaissance, into the Gilded Age, the Modernist period, and through the two world wars, tracing the development of the “American” as it faces, often reluctantly and anyway never without a fight, the inevitability of the modern.  We will begin with Twain’s Adventures of Huckleberry Finn – a book Hemingway once famously called the beginning of all American literature; from there we’ll go on to consider the works of writers and poets as various as Theodore Dreiser, Stephen Crane, T.S. Eliot, Marianne Moore, Robert Frost William Carlos Williams, Sherwood Anderson William Faulkner, Ernest Hemingway, Zora Neale Hurston, Flannery O’Connor, Ralph Ellison and others.

The point of this course -- like that of its sister course, Apocalyptic Hope -- is to read as much as we can; to develop as broad an understanding as possible of both canonical and non-canonical 20th century literature, and to consider how that literature has helped to shape not just the literature that followed it, but who we are in the 21st century

Note:  this will NOT be a writing seminar: it will involve far too much reading for that. Consider this fair warning:  the reading load for this class will be heavy – averaging 250 pages a week.  Students still working on the Writing Requirement, or students taking another heavy reading or writing course, should take this course another time.

Required Texts

  • Clemens, Samuel, The Adventures of Huckleberry Finn
  • Dreiser, Theodore, Sister Carrie
  • Chopin, Kate, The Awakening
  • Anderson, Sherwood, Winesburg, Ohio
  • Hemingway, Ernest, The Sun Also Rises
  • Hurston, Zora Neale, Their Eyes Were Watching God
  • Faulkner, William, Go Down, Moses
  • Fitzgerald, F. Scott, The Great Gatsby
  • O’Connor, Flannery, Collected Stories
  • Ellison, Ralph, Invisible Man
  • DiYanni (ed.), Modern American Poets:  Their Voices and Visions
  • Requirements

    This course will be reading-centered, so the chief requirement is that you make a commitment to keeping up with the reading, and that you come to class prepared to discuss what you have read.  You will also be asked to write a two-page (and no more than two-page) reading response for every class:  that will amount to a substantial pile of writing by the end of the semester, but spread out in small stages.  At times I will assign topics for these responses, but more often I’ll allow you to respond in whatever way seems appropriate to you, as long as you keep your responses focused on the texts you’re reading.  The idea is to develop your own written conversation with the authors you’re reading:  so, while I don’t expect “formal papers” – i.e., researched and lengthy – I do expect you to write clear, articulate and original responses to the texts and to the things people are saying about them.  This daily writing will often form the basis for our class discussions, and will be graded on a check/plus/minus basis.

    As much as is possible, I would like our class discussions to be student-led and student-generated.  With that in mind, I will divide the class into groups in the first week, and groups will rotate responsibility for centering class discussions and directing outside reading.

    Grading

    Your grade for the course will be based on the following percentages:

    • Daily response papers: 50%
    • Discussion leadership and class participation: 30%
    • Average BTU of inner fire: 20%

    If you miss more than three daily responses, I will ask you to drop the class. After that, your grade will start to suffer. You will probably hear it moaning.

    Calendar

    Holidays are in yellow. All dates subject to change on not much more than the mere whim of the instructor, who is as whimsical as a handbag full of rainbows.

     

    Date In Class Reading
    Friday, 1/26 Opening discussion Class handout
    Mon. 1/29 Twain discussion Twain, Huckleberry Finn
    Wed. 1/31 Discussion
    Mon. 2/5 Group led discussion Dreiser, Sister Carrie
    Wed. 2/7 Discussion
    Mon. 2/12 Group led discussion Chopin, The Awakening
    Wed. 2/14 Discussion
    Mon. 2/19 Group led discussion Anderson, Winesburg, Ohio
    Wed. 2/21 Discussion
    Mon. 2/26 Group led discussion Hemingway, The Sun Also Rises
    Wed. 2/28 Discussion
    Mon. 3/5 Group led discussion Fitzgerald, The Great Gatsby
    Wed. 3/7 Discussion
    Mon. 3/12 Group led discussion Elliot, Prufrock, The Waste Land, Gerontion, Little Gidding, others TBA
    Wed. 3/14 Discussion
    Spring Break -- March 18 - 31
    Mon. 4/2 Group led discussion Hurston, Their Eyes Were Watching God
    Wed. 4/4 Discussion
    Mon. 4/9 Group led discussion Faulkner, Go Down, Moses
    Wed. 4/11 Discussion
    Mon. 4/16 Group led discussion Frost, all poems in DiYanni
    Wed. 4/18 Discussion
    Mon. 4/23 Group led discussion O'Connor, selected stories
    Wed. 4/25 Discussion
    Mon. 4/30 Group led discussion Ellison, Invisible Man
    Wed. 5/2 Discussion
    Mon. 5/7   Breathing Room.....
    Wed. 5/9  

     

     

       
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